One of the most popular artists of the 20th century, M. C. Escher, leaves a rich legacy. The centennial celebration of his birth, held in Rome and Ravello in 1998, gave testimony to the keen interest and new insight into his work, and showcased a number of contemporary artists and scientists whose work is directly inspired by that of Escher.This book contains 40 of their articl...(展开全部)

Twisted mind: The graphic pattern genius of M. C. Escher From impossible staircases to tesselated birds, Dutch artist M. C. Escher (1898–1972) crafted a unique graphic language of patterns, puzzles, and mathematics. Dense, complex, and structured by intricate principles, his work is at the same time decorative and playful, toying constantly with optic illusions and the limitati...(展开全部)

“A woman once rang me up and said, ‘Mr. Escher, I am absolutely crazy about your work. In your print Reptiles you have given such a striking illustration of reincarnation.’ I replied, ‘Madame, if that’s the way you see it, so be it.’” An engagingly sly comment by the renowned Dutch graphic artist Maurits Cornelis Escher (1898–1972)―the complex ambiguities of whose work leave ha...(展开全部)

Masao, một học sinh lớp sau, bị giáo viên mới Haneda và các bạn cùng lớp bắt nạt mà không biết lí do. Dù có ai quên làm bài tập hay lớp mất trật tự, thầy Haneda đều đổ hết tội lỗi lên đầu cậu. Trong lúc buồn bã và bế tắc vì bị bắt nạt, trước mặt Masao luôn xuất hiện một đứa trẻ trông rất giống cậu nhưng khắp người mang màu xanh tái cùng những vết thương rất đau đơn, mặc một chi...(展开全部)

A sámánok rejtett és misztikus világába kalauzol Hoppál Mihály néprajztudós könyve, melybe több mint negyven év kutatását sűrítette. A szerző által készített, páratlan képek segítségével bepillantást nyerhetünk a sámánok mágikus szertartásaiba, gyógyító rítusaiba, de megismerkedhetünk a révülést elősegítő, szimbólumokkal gazdagon díszített dobjaikkal és hagyományos viseletükkel...(展开全部)

"Human-fashioned boundaries transform spaces by introducing dualisms, bifurcations, creative symbioses, contradictions, and notions of inclusion and exclusion. The Buddhist boundaries considered in this book, såimåas--a term found in South and Southeast Asian languages and later translated into East Asian languages--come in various shapes and sizes and can be established on lan...(展开全部)

作者：[法]阿兰·蓬皮杜（Alain Pompidou） 乔治·蓬皮杜与克洛德·蓬皮杜之子，医学和人类生物学博士，巴黎五大医学院名誉教授，法国技术科学院前院长。曾担任乔治·蓬皮杜国家艺术文化中心董事会董事（至2012年）和克洛德蓬皮杜基金会董事。著有《人类是否记得？——伦理与生死》、《双面蓬皮杜：1928—1974书信、笔记和照片》（合著），以及《艺术之爱：蓬皮杜夫妇与艺术的不解之缘》。 译者：史利平 曾任中国驻法大使馆科技外交官，热爱法国历史、文化和艺术，译有《居伊·德波：诗歌革命》《双面蓬皮杜：1928—1974书信、笔记和照片》《艺术之爱：蓬皮杜夫妇与艺术的不解之缘》。 审校：邱举良 译审，曾任中国翻译协会副会长、国际翻译工作者联合会理事、常驻法国科技外交官，被授予法国骑士勋章。

（美）维吉尼亚•汉密尔顿 （Virginia Hamilton） 非裔美国泰斗级女作家，其一生撰写的41部作品，给青少年文学树立了崭新的标杆。荣膺过包括国际安徒生奖、纽伯瑞文学奖、国家图书奖、书卷奖、爱伦坡奖、波士顿全球号角奖等几乎所有的青少年文学奖项。代表作品有《了不起的M.C.希金斯》《幽灵的低语》等。

Ly’s M猶豫憂愁，內心柔順徬徨。當他從書店的旋轉梯走下時，我知道，經過幾世的流轉，要在此刻與宿命相認。也許，記認和遺忘竟是同時並存的一種因果。Ly ’s M，我時時記認，是為了時時遺忘嗎？終有一日，在另一個不可知的旋轉梯的某處，我們或許再也認不出彼此。在另一個一千年的盡頭，寫給Ly’s M的種種，灰非煙滅，也不再有人可以記憶辨識吧。